#Fuck the prom trailer movie#
To replace them with Meryl, who let's face it, has been phoning in performances for the past few years and Corden, who barely deserves to be called an actor and stunk up both movie musicals in which he's appeared, does not inspire confidence in the film. I saw the show four times and each time their performances felt fresh. The four adult leads were clearly having a blast with the material and each other, and I think that helped to elevate some of the weaker book moments. R53 is right-the chemistry and abundant joy that the Broadway cast displayed was one of its major strengths. By comparison Corden will appear cold and hollow, which he is. As others have said, Corden is an asshole-treats his writers and crew like shit and is only friendly to celebrities he can suck up to with his faux affability.īrooksie is actually affable, which came through in his performance.
Barry is unapologetically gay at the expense of having a relationship with his mother.
If James Corden is closeted, that makes his casting even worse. R25, the principal and Alyssa Greene were played by black actors (Isabelle McCalla is biracial-Haitian father, I believe.) "The Prom" is the only show I ever went back to see more than once that didn't involve a major cast change. I saw a bootleg of him performing the role, and he was quite good, almost elastic in his dancing. His understudy was Josh Lamon who played the role of the big hearted Sheldon. Brooks really had me feeling joyful over his elation with "Barry's Going to the Prom" which was another standout. I'm hoping that the Pandemic doesn't ruin her next big Broadway gig, "The Devil Wears Prada", but I really was hoping it would have been the musical of "Death Becomes Her" which has also been mentioned as getting a stage version. She comes out of a door, having disappeared before Sutton's encore, and the audience went nuts over her standing there locked in, still holding her glass of champagne and looking just bombed. I could tell she loved her wacky character in "The Drowsy Chaperone" which won her a Tony, especially when she ends up in the straight jacket after Sutton Foster's big number. All three times I saw it, both Brooks and Beth got huge applause for their big numbers, and a video of her performance of "The Lady's Improving" at the final performance (done by one of the production people) showed her very emotional over the reception which lead to applause that lasted over 2 minutes.īeth always finds joy in everything she does on stage and obviously loves what she is doing. The terrific aspect of the Broadway show is that everybody in it just really seemed to love being there, loved each other and really went out of their way to share their energy with the audience. R51 I saw it on Broadway three times, twice in discounted balcony seats (up high, not a bad view), and once through TKTS Fifth Row Center which was amazing.
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